Marshall x Jimi Hendrix 60th Anniversary review

Marshall x Jimi Hendrix 60th Anniversary review

When it comes to guitar players, there are simply none more iconic than Jimi Hendrix. His otherworldly tones and raw energy on stage were backed up by the roar of an almost equally iconic Marshall electric guitar amplifier. The combination of the two yielded sounds that still influence guitar players 60 years later. So, to mark the 60th anniversary of this pairing, Marshall has launched a rather fetching Hendrix signature amp - the Marshall X Jimi Hendrix 60th Anniversary JMH Half Stack.

Based on a Marshall Plexi, specifically the 1959 Super Lead, which Hendrix famously used, the amp is a hand-wired limited edition with only 300 being made available.


The Marshall X Jimi Hendrix 60th Anniversary JMH Half Stack provides purist-satisfying 1959 Super Lead tones and feel, in a bundle that pays a poignant tribute to the Hendrix/Marshall pairing. For collectors and enthusiasts, this will be a much-coveted purchase.

  1. A handwired version of one of the most iconic amplifiers in guitar history.
  2. Stunning cosmic swirl finish.
  3. Classic Marshall Plexi tones
  4. Vintage simplicity.

Cons

  1. No modern features.
  2. Too loud for anything but a stage.
  3. The Fuzz Face lacks a power input (as is vintage correct).

Befitting of its collector's status is the striking purple and black “cosmic swirl” finish and the accoutrements that come along with it - a poster, a letter from Janie Hendrix, a handkerchief, some picks, and, most notably, a Fuzz Face pedal.

Hendrix’s Fuzz Faces are things of lore, thanks to the way engineering guru Roger Mayer would curate and mod them, leading to fuzz sounds that would often vary.

The pedal included in this bundle is inspired by the aggressive sound used by Jimi in his final UK performance on the Isle of Wight in 1970, and is adorned with the same purple and black swirls as the amplifier. It's also not available to buy separately.

It would be remiss of Marshall to put out such a unique-looking head without a matching cabinet. Given that this is from the days when guitar amps needed to fill a venue, that cab is, of course, a 4x12 and loaded with Celestion G12H 30 speakers.

In short, we have a Fuzz Face, a Plexi, a 4x12, and a hell of a lot of volume. This should be fun.

 

Comments 0

Leave a comment